Test your knowledge of woodwind reed types and instrument transpositions, from clarinets and saxophones to double-reed family basics. Questions mix practical playing know-how with theory so you can re...
Pick a difficulty and question count to begin.
Reed types and transpositions can feel like two separate topics, but they connect every time you read, write, or arrange for woodwinds. This quiz helps you spot single vs double reeds and quickly translate written pitch to concert pitch (and back).
Each question uses 4 options and there’s no timer, so you can think through interval shifts, key signatures, and instrument ranges without pressure.
Difficulty is mixed on purpose: some items are quick recognition (reed family, basic transposition), while others ask you to apply the rule in context (written note → sounding pitch). Before you start, pick your question count and choose an easier or harder setting to match how much you want to drill.
Many mistakes come from mixing up “instrument key” with “concert key,” or remembering the direction of transposition incorrectly. Watch for whether the instrument sounds higher or lower than written, and double-check octave shifts where they commonly appear.
If you miss a question, pause and restate the rule in one sentence (e.g., “written C sounds as…”), then retry similar items on a longer run. Alternating short quizzes for accuracy with longer quizzes for endurance is a reliable way to make transposition automatic.
What type of reed is used in a clarinet?
Which woodwind instrument uses a double reed?
What is the primary material used for making woodwind reeds?
This quiz has 102 questions on woodwind reed types and transpositions.
Every question has 4 options, and there is no timer so you can work carefully.
Yes. Select your preferred question count and choose an easier or harder difficulty before starting.
It focuses on common woodwinds, especially clarinet and sax families plus double-reed basics like oboe and bassoon.
It targets common slip-ups like reversing transposition direction, missing octave shifts, and mixing up concert vs written pitch.

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